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hippoTV multilingual videos The 11th broadcast
guest interview profile

hippoTV multilingual videos The 11th broadcast interview 
[Edokouta ougiha nidaime iemoto]  Ougiyoshikazu

  
Is there something called "Waza" in the koto?

  • There are also singing methods.
    There are different ways to play Shamisen.
    For example, there are "Chin · Tong · Shan" and front play.
    This is "Chin Tong Shan".
    And another, representative is this.
    I hope you learn first of all in the shamisen.

     

Talking with your mouth, it's funny to keep track of it.
Like "Chan Ting Ting"?
 

  • Be sure to do it with a shamisen.It is "Tonkenkan".
    The interesting thing is called Kawarine sound, and water sound rather than skill, this kind of "Tsukuda".
    You can play at play, use it when you go out.
    The flow of the river is intense as you play early.


 
江戸小唄扇派2代目家元「扇よし和」

江戸小唄扇派2代目家元「扇よし和」



Can we do such a technique?

  • I can do that properly.
    It is said to play like this when playing. It is said to be scooping.
    I guess this technique. Lightly play, scoop, play. I often play with the ring finger.
    I wonder if the middle finger is like this.
    Of course you can. Even if you do not understand anything that seems to be the first practice for the first time, only those who will see


What is the "technique" of "Edo Koa" that I've been handed down?

  • As for "technique" I practiced as before, but after all I think that it is to pursue.
    "Technique", because it is not going to be right soon, I will continue ahead for the time being, the same as continuation of 6 · 6 ·, I will practice hard, practice. I think that I will practice anything. I think that it will lead to skills.



 
There are various things meaning "spring." So I gave it a little time today.
Even more I want to improve my songs, what should I do?

  • Well, I think whether it is the earliest that we both look like a lesson. No, I really do practice. So you can put it in your phone now and you can practice it yourself, so you think it is very early.
    After all it is not to practice.


How do you make that scale?

  • That's it, this is not attached right now, but here, there is a way to write numbers like this one, two, three, four, five, etc. in the street of the person inside.
    There are tapes, when you practice.
    So, we are like this kind of mysterious cryptic code like "Iroha no Hashi", this is Jin Tong Shan, but now I'm practicing everyone with Sanshin staff. Three lines is not a staff score, but in the form of 3 · 2 · 1 with these three pieces. In the case of Jin Dong Shan, it will be in the shape of 4 · 0 · 4 · 0.


江戸小唄扇派2代目家元「扇よし和」

 

江戸小唄扇派2代目家元「扇よし和」

The teacher took the trouble and made improvisation for this program, I made it.
It is towards the world!

  • Today, I'm singing my heart and emotion to express this song in this world.
    From this studio at Atagoyama, let's make this "fan opening" a little commercial for the world.
    But the fan is getting wider all the time. When it opens, it spreads widely. This is a good thing. So, put that meaning too.
    And, as you practiced before, the shamisen 's musical note.
    Since that is also a stylish song is stingy and good-natured, it also means that I put it in the meaning and finally made it the title "Edokouta" at the end.



What is the wonderfulness of Japanese traditional culture, "Edokouta" for Professor Keiji in "Edokouta"?

  • Yes. Even in this world of Heisei, this song can enter and sing all the time. I think that's more than anything.
    It is already a culture that has been connected like this since Edo era. Even though I sing it like this now, I do not feel like anything like "Oh, it's weird".
    I think that's a wonderful thing .. The splendor of KO song.
    I think that it is also wonderful to have such various hearts in short poetry.
    I always sing a koto song with that kind of feeling.
    Foreigners are now accepting Japanese culture very much. It is better than a Japanese, I admit it.



江戸小唄 扇派2代目家元「扇よし和」

Edokouta ougiha iemoto nidaime 【Ougiyoshikazu

 Ougiyoshikazu


Welcome to the world of Edokouta!
At the age of 4, he started dancing Japanese, 6 years old 6 years old Hanabishi studied under Masaya master and started practicing Nagauta · Kiyomoto.
At the age of ten, I played a shakedown of the recommendation book at an incident meeting.
At the age of 12, he became a Koeda Hanabishi Natori, and gave an assault official announcement.
At the time of high school 3 years, under the introduction of the Hanabishi school student, he studied under the founder's first generation Yoshimi Yoshi teacher and named "Fusayashi" as Natori.
He won the Nippon Koosaka Federation Newcomer Award June, 1974.
In June 1982 when you attacked a second generation female fanist,
Working vigorously such as radio, television and theater, while challenging to collaborate with synthesizers.
Last year, we held the 30th anniversary celebration of the 50th anniversary of the Kodo faction established in the second generation.
 

Official site ⇒http://ougiyoshikazu.com/

  


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